performance

As a research-based performance artist, I draw on multiple methods of aesthetic production to interrogate how power operates in, through, and across bodies.  I use gestures, textures, and relational arrangements of bodies, environments, inanimate objects and intangible elements to try to touch and feel other ways of being. I use performance to question and trouble conventional delineations of time, space, the body, the individual, matter and what is considered human, animate, natural, or valuable.  My practice ranges from narrative solo performance to more conceptual performance, from installation to social practice. I occasionally devise ensemble performances as one element of my social engagement.

And How To Honor America

Untitled (Steamwork for Bellingham)

Mother...May I?

Fat Camp

Making The Map